Follies Bergere Tickets
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Details of Follies Bergere and the Ticket Luck value
The Folies Berg?re is a Parisian Music Hall. From the 1890s through the 1920s, this was at the height of its fame and popularity. It was located at 32 rue Richer in the 9th Arrondissement. It was built as an opera house by the architect Plumeret.
It was patterned after the Alhambra music hall in London. It opened on 2 May 1869 as the Folies Tr?vise, with fare including operettas, comic opera, popular songs, and gymnastics. The music hall stands on the intersection of the rue Richer and the rue de Tr?vise.
Folies is a French word. It has been derived from the Latin word foliae that means leave. It was paired with the name of an adjacent street, the rue de Tr?vise.
But the Duc de Tr?vise, a prominent nobleman, did not want his name associated with a bawdy dance hall. The Folies Berg?re catered to popular taste.
Shows featured elaborate costumes; the women?s were frequently revealing, practically leaving them naked and shows often contained a good deal of nudity.
Obliging the Parisian fascination with the n?gritude of the 1920s, shows also played up the ?exoticness? of persons and objects from other cultures. In the early 1890s, the American dancer Loie Fuller starred at the Folies Berg?re.
Nearly thirty years later, in 1926, Jos?phine Baker, an African-American expatriate singer, dancer, and entertainer, became an overnight sensation at the Folies Berg?re with her suggestive ?banana dance?.
Other notable Folies Berg?re performers have included singers Maurice Chevalier and Louisa Baileche, and comedian Cantinflas.
The theme of ?women through time? beginning in the 1800?s to present day has gone unchanged, but the new interpretations enhance the Follies Bergere experience.
The Dressing Room number gives the audience a behind-the-scenes feel of how the gorgeous showgirls prepare for their nightly appearance on stage. Each scenario flows seamlessly into the next such as in La Vedette where male dancers present a stunning showgirl who materializes through smoke with giant butterfly wings on her back.
Another popular scene is fashioned in the 1920?s where ?women of darkness? were known as vamps. A private boudoir moment, black silk and velvet dressing gowns accompanied by tassels used as erotic props emphasize the sexual natures of these women.
Folies epitomizes classic Vegas style entertainment, featuring sexy, spectacular costumes, show stopping musical production numbers and dazzling choreography.
Folies Bergere is not just a show, the show is legendary. Follies Bergere Las Vegas will let you get the feel of what old Vegas was like. Weldy ran a huge operation where he For example, when Erte designed a tableaux ?Gold? for Ziegfeld in New York, duplicate sets were made the next year for the Follies Bergere and theatres around the world.
Max Weldy held the rights to the costume designs so that when revues were staged at the Folies, duplicate sets could be made and sold to other theatres.
From his office and ateliers next door to the stage door at the Folies Bergere in the rue Savlnier controled the studios which furnish the entire world with revue, ballets, operettas, and musical comedies.
Two or three hundred people work here everyday opened the dispatch ledger. Current commissions include a revue costing one hundred thousand dollars for the U.S.A. Costumes, decors; curtains are exported by Weldy to the Winter Garden, to Ziegfeld, to the Apollo Theatre, New York.