Fuerzabruta Tickets at Roth Theater Daryl Roth Theatre Tickets at New York-NY Date Time 12/20 Sun Dec 20 2009 7:00 PM 12/21 Mon Dec 21 2009 8:00 PM 12/22 Tue Dec 22 2009 8:00 PM 12/23 Wed Dec 23 2009 8:00 PM 12/26 Sat Dec 26 2009 3:00 PM 12/26 Sat Dec 26 2009 7:00 PM 12/26 Sat Dec 26 2009 10:00 PM 12/27 Sun Dec 27 2009 7:00 PM 12/27 Sun Dec 27 2009 10:00 PM 12/28 Mon Dec 28 2009 8:00 PM 12/29 Tue Dec 29 2009 8:00 PM 12/30 Wed Dec 30 2009 7:00 PM 12/30 Wed Dec 30 2009 10:00 PM 12/31 Thu Dec 31 2009 8:00 PM 1/2 Sat Jan 02 2010 7:00 PM 1/2 Sat Jan 02 2010 10:00 PM 1/3 Sun Jan 03 2010 7:00 PM 1/6 Wed Jan 06 2010 8:00 PM 1/7 Thu Jan 07 2010 8:00 PM 1/8 Fri Jan 08 2010 8:00 PM 1/9 Sat Jan 09 2010 7:00 PM 1/9 Sat Jan 09 2010 10:00 PM 1/10 Sun Jan 10 2010 7:00 PM 1/13 Wed Jan 13 2010 8:00 PM 1/14 Thu Jan 14 2010 8:00 PM 1/15 Fri Jan 15 2010 8:00 PM 1/16 Sat Jan 16 2010 7:00 PM 1/16 Sat Jan 16 2010 10:00 PM 1/17 Sun Jan 17 2010 7:00 PM 1/20 Wed Jan 20 2010 8:00 PM 1/21 Thu Jan 21 2010 8:00 PM 1/22 Fri Jan 22 2010 8:00 PM 1/23 Sat Jan 23 2010 7:00 PM 1/23 Sat Jan 23 2010 10:00 PM 1/24 Sun Jan 24 2010 7:00 PM 1/27 Wed Jan 27 2010 8:00 PM 1/28 Thu Jan 28 2010 8:00 PM 1/29 Fri Jan 29 2010 8:00 PM 1/30 Sat Jan 30 2010 7:00 PM 1/30 Sat Jan 30 2010 10:00 PM 1/31 Sun Jan 31 2010 7:00 PM 2/3 Wed Feb 03 2010 8:00 PM 2/4 Thu Feb 04 2010 8:00 PM 2/5 Fri Feb 05 2010 8:00 PM 2/6 Sat Feb 06 2010 7:00 PM 2/6 Sat Feb 06 2010 10:00 PM 2/7 Sun Feb 07 2010 7:00 PM 2/10 Wed Feb 10 2010 8:00 PM 2/11 Thu Feb 11 2010 8:00 PM 2/12 Fri Feb 12 2010 8:00 PM 2/13 Sat Feb 13 2010 7:00 PM 2/13 Sat Feb 13 2010 10:00 PM 2/14 Sun Feb 14 2010 7:00 PM 2/17 Wed Feb 17 2010 8:00 PM 2/18 Thu Feb 18 2010 8:00 PM 2/19 Fri Feb 19 2010 8:00 PM 2/20 Sat Feb 20 2010 7:00 PM 2/20 Sat Feb 20 2010 10:00 PM 2/21 Sun Feb 21 2010 7:00 PM 2/24 Wed Feb 24 2010 8:00 PM 2/25 Thu Feb 25 2010 8:00 PM 2/26 Fri Feb 26 2010 8:00 PM 2/27 Sat Feb 27 2010 7:00 PM 2/27 Sat Feb 27 2010 10:00 PM 2/28 Sun Feb 28 2010 7:00 PM 3/3 Wed Mar 03 2010 8:00 PM 3/4 Thu Mar 04 2010 8:00 PM 3/5 Fri Mar 05 2010 8:00 PM 3/6 Sat Mar 06 2010 7:00 PM 3/6 Sat Mar 06 2010 10:00 PM 3/7 Sun Mar 07 2010 7:00 PM 3/10 Wed Mar 10 2010 8:00 PM 3/11 Thu Mar 11 2010 8:00 PM 3/12 Fri Mar 12 2010 8:00 PM 3/13 Sat Mar 13 2010 7:00 PM 3/13 Sat Mar 13 2010 10:00 PM 3/14 Sun Mar 14 2010 7:00 PM 3/17 Wed Mar 17 2010 8:00 PM 3/18 Thu Mar 18 2010 8:00 PM 3/19 Fri Mar 19 2010 8:00 PM 3/20 Sat Mar 20 2010 7:00 PM 3/20 Sat Mar 20 2010 10:00 PM 3/21 Sun Mar 21 2010 7:00 PM 3/24 Wed Mar 24 2010 8:00 PM 3/25 Thu Mar 25 2010 8:00 PM 3/26 Fri Mar 26 2010 8:00 PM 3/27 Sat Mar 27 2010 7:00 PM 3/27 Sat Mar 27 2010 10:00 PM 3/28 Sun Mar 28 2010 7:00 PM

Details of Fuerzabruta and the Ticket Luck value

Fuerzabruta
The Spanish titled for "Brute Force"and created by Diqui James, "Fuerzabruta" is akin in some respects to hugely popular, no-language-barrier works like "Stomp" and the Blue Man Group shows. Besides everything else, one gets to be the part of the experience too. "Fuerzabruta," is the one, where you are expected to be a semi-active collaborator in the fanciful proceedings.

"Fuerzabruta," the new show from the Argentine creators, who also introduced a noteworthy and long-running "De La Guarda," is another entry in a dependable genre: theater for people who don't really like theater. Patrons are not required to think, feel or even sit down for this hour long sensory bath at the Daryl Roth Theater. Standing and gaping are all that is strictly necessary, although jumping up and down and dancing are intermittently encouraged.

For true enjoyment, a powerful affection for thumping techno music probably helps. A delight in being befogged by acrid smoke, blasted by bright lights and shuttled around in packs like cattle, there is also a session of public getting wet, to give them a real life experience.

"Stomp", "Jump", "Splat" and "Thwack" and many other extravaganzas at Cirque du Soleil, one can choose to be like a tired businessman and slump in the seat, doze until the house lights rise. To have real fun, one can have a pizza box stuffed with powder and confetti smashed over your head.

Frisky cast members are fabulous at repelling the attentions of those with tightly crossed arms, forbidding staring and the souls with glowering stiffness, as the usual treatment given to such souls are that they are grabbed by the shoulders, and insisted to join the jumping throngs. Thus, in a way, it is an enforced entertainment and a gripping way to ease out the tensions and worries of the world.

The show's central figure is a mysterious man in white who opens the proceedings walking on a giant treadmill rolled into the middle of the audience. The stroll turns into a jog, the jog into a desperate run. A shot rings out, blood spatters his shirt, and he falls to the ground. Of course the performers — and the hard-working stagehands scurrying about in the dark — do most of the heavy lifting. This figure lives to walk again, however, past bits of furniture tossed on the treadmill by assistants, past other performers who zip by and topple off, and through a series of cardboard walls that disintegrate as he smashes into them.

Critics claim their activities suggesting the indomitable human will in opposition to the destructive influences of our assaultive world. PacMan was also accused of the criticism of being a profound digital meditation on the human capacity for greed. But "Fuerzabruta" does not aspire to create meaning rather it gooses the senses through a series of mind-freak spectacles of variable originality and technical sophistication.

Also requiring sustained neck-craning is the aerial catfight performed on a giant circular curtain of a tin-foil-like substance that descends to the floor, surrounding the audience. "It's like being inside a giant Jiffy Pop,"

It is created by Diqui James with music provided by Gaby Kerpel; lighting by Edi Pampn and sound by Hernan Nupieri. Any theatrical performance is nearly impossible if it does not comply with the appropriate costumes.

In Fuerzabruta, costumes are designed by Andrea Mattio and automation designing is done by Alberto Figueiras. General coordinator Fabio D'Aquila and production manager Agustina James work in collaboration with technical director, Alejandro Garcia under the guidance of technical supervisor, Bradley Thompson and thus project a flabbergasting performance for their loyal audience who truly desire something beyond ordinary. The efforts put in by production stage manager, Jeff Benish and general manager, Laura Kirspel is never ignored. Presented by Concert Productions International, Fuerzabruta, has a set venue of Daryl Roth Theater in Manhattan, New York. Thus, with the spirit of bringing change in the theatre and to devise a revolutionary genre, Fuerzabruta have stepped in to revolutionize performing art.

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