| | Date | Time | |
| 6/4 Fri Jun 04 2010 | 7:30 PM |
|
| 6/5 Sat Jun 05 2010 | 7:30 PM |
|
| 6/6 Sun Jun 06 2010 | 2:30 PM |
|
|
| | Date | Time | |
| 4/28 Wed Apr 28 2010 | 8:00 PM |
|
|
| | Date | Time | |
| 4/29 Thu Apr 29 2010 | 8:00 PM |
|
|
| | Date | Time | |
| 4/26 Mon Apr 26 2010 | 8:00 PM |
|
|
| | Date | Time | |
| 2/20 Sat Feb 20 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 4/14 Wed Apr 14 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 3/7 Sun Mar 07 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 4/24 Sat Apr 24 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 3/23 Tue Mar 23 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 2/24 Wed Feb 24 2010 | 9:00 PM |
|
| 4/11 Sun Apr 11 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 3/4 Thu Mar 04 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 4/23 Fri Apr 23 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 4/21 Wed Apr 21 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 3/21 Sun Mar 21 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 2/23 Tue Feb 23 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 4/19 Mon Apr 19 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 3/14 Sun Mar 14 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 1/25 Mon Jan 25 2010 | 8:00 PM |
|
|
| | Date | Time | |
| 12/25 Fri Dec 25 2009 | 5:00 PM |
|
| 12/25 Fri Dec 25 2009 | 9:00 PM |
|
|
| | Date | Time | |
| 1/7 Thu Jan 07 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 1/5 Tue Jan 05 2010 | 9:00 PM |
|
|
| | Date | Time | |
| 1/6 Wed Jan 06 2010 | 9:00 PM |
|
|
Details of Mozart and the Ticket Luck value
Mozart
Wolfgangus Theophilus Mozart was a prolific and influential composer of the Classical era. His output of over 600 compositions includes works widely acknowledged as pinnacles of symphonic, concert ante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers and many of his works are part of the standard concert repertoire.
Wolfgang Amadeus Mozart was born to Leopold and Anna Maria Pertl Mozart in Getreidegasse 9 in Salzburg, the capital of the sovereign Archbishopric of Salzburg, in what is now called Austria, which was previously the part of the Holy Roman Empire. His only sibling who survived past birth was his sister Maria Anna (1751-1829), called "Nannerl". Mozart generally called himself "Wolfgang Amadé Mozart" as an adult, but there were many variants.
Mozart's father Leopold Mozart (1719–1787) was deputy Kapellmeister to the court orchestra of the Archbishop of Salzburg, and a minor composer. He was also an experienced teacher as he published a successful violin textbook, Versuch einer gründlichen Violinschule.
Mozart's music stands as an archetypal example of the Classical style. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre; including symphony, opera, and the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. His works spanned the period during which that style transformed from one exemplified by the style gallant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the gallant style had been a reaction. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
1762–1773: Years of travel
During Mozart's seminal years, his family made several European journeys in which the children were exhibited as child prodigies. These began with an exhibition in 1762 at the Court of the Elector of Bavaria in Munich, then in the same year at the Imperial Court in Vienna and Prague. A long concert tour spanning three and a half years followed. During this trip Mozart met a great number of musicians and acquainted himself with the works of other composers.
1773–1777: The Salzburg court
Following his final return with his father from Italy (13 March 1773), Mozart was employed as a court musician by the ruler of Salzburg Prince-Archbishop Hieronymus Colloredo. Some of the works he produced during this early period are very widely performed today. For instance, during the period between April and December of 1775, Mozart developed an enthusiasm for violin concertos, producing a series of five, steadily increasing in their musical sophistication. Mozart was a "favorite son" in Salzburg, where he had a great number of friends and admirers, and he had the opportunity to compose in a great number of genres, including symphonies, sonatas, string quartets, serenades, and the occasional opera. The E flat piano concerto K. 271 (1777), with its surprising interruption of the orchestra by the soloist at the start, is considered by critics to be a breakthrough work.
Mozart's new career in Vienna began when he performed often as a pianist, notably in a competition before the Emperor with Muzio Clementi, 24 December 1781, and according to the New Grove, he soon "had established himself as the finest keyboard player in Vienna." Mozart also prospered as a composer: during 1781–1782 he wrote the opera Die Entführung aus dem Serail ("The Abduction from the Seraglio"), which premiered 16 July 1782 and achieved a huge success. The work was soon being performed "throughout German-speaking Europe", and fully established Mozart's reputation as a composer.
1786–1787: Return to opera
Despite the great success of Die Entführung aus dem Serail, Mozart composed some operas during the years that followed it, producing only two unfinished works and the one-act Der Schauspieldirektor. He focused instead on his career as a piano soloist and writer of concertos. However, around the end of 1785, Mozart reshifted his focus again: he ceased to write piano concertos on a regular basis, and began his famous operatic collaboration with the librettist Lorenzo da Ponte. 1786 saw the Vienna premiere of The Marriage of Figaro, which was quite successful in Vienna and even more so in a Prague production later the same year. The Prague success led to a commission for a second Mozart-Da Ponte opera, Don Giovanni, which premiered 1787 to acclaim in Prague and was also produced, with some success, in Vienna in 1788. Both operas are considered among Mozart's most important works and are mainstays of the operatic repertoire today; their musical complexity caused difficulty for both listeners and performers alike at their premieres.
Mozart fell ill while in Prague, for the 6 September premiere of his opera La clemenza di Tito, written in 1791 on commission for the coronation festivities of the Emperor. He was able to continue his professional functions for some time, for instance conducting the premiere of The Magic Flute on September 30. The illness intensified on 20 November, at which point Mozart became bedridden, suffering from swelling, pain, and vomiting. Mozart's extremely spare funeral did not reflect his standing with the public as a composer: memorial services and concerts in Vienna and Prague were well attended. Indeed, during the period following his death, Mozart's musical reputation rose substantially; Solomon describes an "unprecedented wave of enthusiasm" for his work. Biographies were written, and publishers vied to produce complete editions of his works.
Ludwig van Beethoven, whose life overlapped with Mozart's, seems to have been particularly strongly influenced by him. Beethoven became closely acquainted with Mozart's work as a teenager as he is thought to have played Mozart's operas in the court orchestra in Bonn, and he traveled to Vienna in 1787 with the most desirable hope of studying with Mozart.
Mozart's most famous pupil was probably Johann Nepomuk Hummel, a transitional figure between Classical and Romantic eras whom Mozart took into his Vienna home for two years as a child during his studies. With the surge in his reputation following his death, the study of Mozart's works became part of the training of every classical musician, and has been so ever since.
We built Ticket Luck to provide Mozart and other tickets with a unique plan.
Instead of the usual 20% mark up, we decided to go for a low mark up. At that margin, we don't spend anything on advertizing. If you are lucky enough to find this site, you would have saved a tidy sum for yourself. We hope that we will be successful through word of mouth instead of a massive banner ad. marketing budget.
Our tiny markup pays for the support, the cost of running the website and the toll free number that we provide. We hope to be modestly successful, without being greedy and want you to benefit from our effort. In turn, we hope that you will
pass on the good word and provide us with referrals.
These Mozart Tickets have been bought by fans, who could not make it to the show. The brokers that we deal with collect the Mozart tickets, and we show you the consolidated version. We do appreciate feedback and whether you want to tell us about Mozart Tickets or about our service and idea we sincerely appreciate it. We hope that you will drop us a line, if you like our service. We would love a testimonial too, and would love it on our site. If we can improve
we would love to know about that as well.
The Mozart Tickets are sent via Fed-EX. The prices are often above face value, but that is how the brokers consolidating the tickets from the Mozartfans get compensated. We do want to mention, that our tickets are likely to go fast, since the prices are unbelievably low. If you are thinking of getting them, you may want to grab them while they are available.
mozard Tickets, even when unavailable from the venues, or Ticket Master can often be found at Ticket Luck.
We consolidate the mozalt tickets, and market them along with tickets for 82000 other events.
While many other sellers market these same nozart tickets,
we provide low prices mozatr Tickets.
Further, given that we are licensees of TrustE you have the peace of mind that while buying mozrat tickets, your personal information will never be compromised.
While buying moazrt tickets, we know that security is important and that's why we are 'Hacker Safe' compliant giving you peace of mind.
Whether you consider mzoart or any other tickets, do compare our prices, committment towards privacy and value.
Ticket Luck is proud to be the best source of omzart tickets even when they have already been sold out from alternative venues such as Ticket Master.
We consider it out duty to aggregate mozar tickets and duly market them along with tickets to thousands of other events in our portfolio.
Sure others provide mozat tickets too. But when you purchase from us,
you know you are getting the lowest prices on the market for mozrt tickets.
We can promise you that we don't compromise on your security and so you can rest with peace of mind. Our certification by TrustE is evidence of that.
Additionally, we are 'Hacker Safe' compliant which signals our commitment to protecting you.
When you are on the prowl for ozart tickets, do take into account our competitive prices and concern for your safety. We make the customer a priority.
|
